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Posted by garykirk1982 on 6th December 2009
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Buy An American Werewolf in London At Amazon!.
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1981 was The Year of the Werewolves…the furry fiends leaped onto movie screens in three major films: “The Howling,” “Wolfen,” and the classic of the genre, “An American Werewolf in London.” There has never been a greater werewolf film, there has never been a better transformation scene, and few alarm movies can match the consuming mixture of humor and scares that writer/direction John Landis (”Animal House,” “The Blues Brothers”) achieved here.
Although there had been humor in apprehension films before this movie, “An American Werewolf in London” showed once and for all that having comedy in a anxiety film didn’t mean that the film would lose out in the dread department. Landis makes it sure that the film is NOT a comedy — the dread scenes are carried with dead-seriousness and homely impact — but there is so worthy quirky humor surrounding these scenes that the film becomes incredibly likable and buoyant. Most of the laughs approach from seeing the veteran movie werewolf premise dropped into the original day and watching the characters try to deal with it.
Actors Griffin Dunne and David Naughton, neither of whom had been in a movie before, effect a astonishing ‘ordinary guy’ feeling to their characters of two young American boys backpacking through Europe. In rural England, they have a heinous encounter with a legendary monster, and Naughton faces the consequences of being bitten when he returns to London and takes up living with a comely nurse (Jenny Agutter) .
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The transformation scene is justly notorious and a milestone in visual effects. Make-up wizard Rick Baker lets the viewers contemplate a real-time twisting of a human body into a wolf shape: limbs stretch, snouts pop, hair grows, the body contorts…it’s unbelievable to peep. (And on DVD, you can observe it over and over and over again) . Even computer graphics can’t attain an accomplish as startling as this one.
This DVD offers some nice extras. The image is gracious, and the 5.1 Surround Sound is decent (although there’s not a lot of help speaker sound) . Actors Naughton and Dunne do feature commentary on the film, and provide some captivating information and sound as if they were having a titanic time reliving the experience. I wish that Landis had been on the commentary as well, but you can hear his thoughts on the film in an 18-minute interview. Landis is an absolute hoot to listen to; the guy is as comic as his movie, and he absolutely bursts with ideas and observations. To go along with the Landis interview is an 11-minute interview with make-up maestro Rick Baker. He provides a enthralling scrutinize at crafting what he calls “the coolest werewolf film ever made.” Also included is a vintage featurette on the making of the film, although it’s only about five minutes long (but you obtain more of wise-cracking John Landis), ten minutes of archival footage of Baker making a cast of David Naughton’s hand, and an assortment of storyboards, outtakes, and production photos.
“An American Werewolf in London” is a major turning point in fright films and visual effects — and even over twenty years later, it is unexcited one of the most piquant movies of its decade. It hasn’t traditional at all, and this DVD lets you experience it the device it should be seen (and in the company of wild-man John Landis!)
This is one of the few movies that have consistently given me nightmares since I was a child. It is at least a decade ahead of its time. Most of the negative criticisms that I have read expend the word “uneven” a lot. Even Roger Ebert, whom I fancy, claimed that the humor and the terror were an uneasy mix. This was years before he gave the movie Weep a sure review. Now I LIKE the movie Wail, but there is no arrangement that one can claim that it gets the balance lawful whereas Werewolf gets it depraved. Cry simply benefits from occurring in the cynical nineties – Werewolf suffers from being avant guard. .
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The modern DVD has a few genuine extras on it – especially a novel interview with Landis. Even after all these years, the film detached holds up. Unlike most films, I contemplate more things in it the more I recognize. What, for instance, is up with the townsfolk of East Proctor and what is their relationship with the novel werewolf? My guess – they brought it on themselves somehow. Maybe one of their beget ran over a gypsy and was cursed. Instead of killing the bloke, they all determine to screen beneath the pentangle in The Slaughtered Lamb every beefy moon.
I am recently returned from England and this movie is listed in Fodor’s as one of the films that best showcases London. I heartily agree. I visited the obnoxious tube cessation at Tottenham Court Road and it serene looks mighty the same as when the David made his destroy there. And as I walked, alone in the countryside, beneath the light of the corpulent moon, I had to ask myself, “Am I crazy? ” Fortunately, I made it to the pub. There I waited, beneath the pentangle, for my friends to race me home.
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